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Writing Against God : Language as Message in the Literature of Flannery O'Connor

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Item description for Writing Against God : Language as Message in the Literature of Flannery O'Connor by Joanne Halleran McMullen...


Writing Against God approaches O'Connor's fiction through linguistic analysis and with reader response perceptions. It examines her grammatical and stylistic choices and addresses the inconsistencies her readers encounter and the conflict this engenders.


Item Specifications...


Studio: Mercer University Press
Pages   164
Dimensions:   Length: 9.06" Width: 6.4" Height: 0.36"
Weight:   0.5 lbs.
Binding  Softcover
Publisher   Mercer University Press
ISBN  0865546207  
ISBN13  9780865546202  


Availability  100 units.
Availability accurate as of May 24, 2012 09:54.
Usually ships within one to two business days from La Vergne, TN.
Orders shipping to an address other than a confirmed Credit Card / Paypal Billing address may incur and additional processing delay.


More About Joanne Halleran McMullen


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Product Categories

1Books > Subjects > Literature & Fiction > General
2Books > Subjects > Literature & Fiction
3Books > Subjects > Reference > General
4Books > Subjects > Reference > Words & Language > Linguistics



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Reviews - What do customers think about Writing Against God : Language as Message in the Literature of Flannery O'Connor?

Argues for linguistic analyses of Flannery O'Connor's fiction and explores her use of negation and Christian imagery...  Aug 3, 2008
McMullen contends that while a linguistic analysis of Flannery O'Connor's fiction reveals -- more than other critical approaches -- the depth of her talent, readers "must be explicitly coached if [their] interpretations are to match O'Connor's explications."

Explores her literary style of using simple sentences, meaningful grammatical construction, and "naming techniques that obscure or minimize personal worth." Addresses her use of symbols and suggests that her inconsistent use of symbolic "hats, sunglasses, eyes, eyeglasses, colors, wood, animals, and machinery" pose problems for her readers.

Discusses the negation present in O'Connor's fictional world signaled by her use of "negative words, negative verbs, anagrams, the concept of suffering, mysterious concealments, and directional metaphors," which tend to "negate the action of grace presumably available to her characters."

Suggests as well, that O'Connor's "images of the Georgia landscape, familial relationships, the Christ figure, inanimate objects, death, and Christian humanism take on unexpected meanings, and on close inspection appear not to support her stated Catholic views." Outlines the "Catholic concept of a sacramental marriage, the Church's stance on birth control, and the sanctity of the family," and compares these positions to O'Connor's conflicting "private comments."

McMullen completed her Ph.D. at the University of Nebraska at Lincoln. Her 1991 dissertation was titled "Writing Against God: Language and Flannery O'Connor's Literature." Readers may also be interested in her article discussing the linear and circular patterns seen in O'Connor's depictions of time: "The Verbal Structure of Infinity," in Language and Literature 21 (1996): 45-64.

R. Neil Scott / Middle Tennessee State University
 

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